Radhika Apte Wiki
Radhika Apte (born 7 September 1985) is an Indian theater and film actress. Born in Vellore, Tamil Nadu, brought up in Pune, Maharashtra, Apte began acting in theatre productions before venturing into films. She made her feature film debut with a brief role in the Hindi fantasy Vaah! Life Ho Toh Aisi! (2005). Apte has since worked in Hindi, Tamil, Telugu, Malayalam, Bengali, and Marathi-language films.
Apte's first starring role was in the 2009 Bengali social drama Antaheen. She made her Marathi film debut in 2009 with the tragic romance Samaantar. She gathered widespread praise for her supporting work in three of her 2015 Bollywood productions including the thriller Badlapur, the comedy Hunterrr, and the biographical film Manjhi - The Mountain Man. Her leading roles in the 2016 independent films Phobia and Parched earned her further acclaim. In 2018, Apte starred in three Netflix productions—the anthology film Lust Stories, the thriller series Sacred Games, and the horror miniseries Ghoul.In addition to her work in independent films, Apte has played the romantic interest of the lead male character in the Marathi crime thriller Lai Bhaari (2014) the Tamil drama Kabali (2016), the Hindi biographical film Pad Man (2018), and the Hindi black comedy Andhadhun (2018), all of which were commercially successful. She has been married to London-based musician Benedict Taylor since 2012.
Apte was born in Vellore, Tamil Nadu, India. Her parents were studying and working as doctors at the Christian Medical College & Hospital, Vellore. Her father Dr. Charudutt Apte subsequently became a neurosurgeon and chairman of Sahyadri Hospital, Pune. Her family are Hindu Marathis, and she is an Economics and Mathematics graduate from Fergusson College, Pune. In Pune, she studied initially in a regular school, and then was home schooled alongwith four friends by their parents living in the same building, who did not want their children to go through the regular schooling system. Apte found this experience liberating as it boosted her self confidence. While growing up in Pune, Apte trained under Kathak exponent Rohini Bhate for eight years. During this time, Apte became involved in theater in Pune and decided to go to Mumbai to join films. However, a few months later, Apte got discouraged by her experience in Mumbai and returned to her family in Pune. Apte recounted these times in an interview with Scoop Whoop in 2018, as a learning yet demoralizing experience, wherein she managed with her salary of 8000 to 10,000 Rs. from theater roles and having to put up with odd house owners and room mates in Goregaon, where she lived as a paying guest. During this time, Apte acted in her first film, a Marathi Konkani film called "Gho mala asala hawa" (2009). This was followed by her first Hindi film "Shore in the city" after which she acted in "Rakta Charitra" 1 and 2, and "I am".
On returning to Pune, Apte made an overnight decision of going to London for a year, where she studied contemporary dance at London's Trinity Laban Conservatoire of Music and Dance for a year. Apte calls her experience in London a life changing experience as she was opened to a completely different and liberating way of working professionally. There she met her future husband Benedict, who subsequently moved to Pune with her, travelling regularly to Mumbai for his work while Apte still did not want to return to Mumbai due to her earlier experience. After a year, she finally agreed to move to Mumbai, and her second experience in Mumbai was far more positive, as she was no longer alone.
Early roles (2005–10)
She had higher qualification on neural mathematics and got her Phd on human neural contradiction. Radhika Apte first appeared with a small role in the Hindi film Vaah! Life Ho Toh Aisi! in 2005, a project she did "just for fun" while still being in college. Actor Rahul Bose, who had seen Apte perform in Anahita Oberoi's play Bombay Black, suggested her name to director Aniruddha Roy Chowdhury who cast her in his Bengali film Antaheen along with Aparna Sen, Sharmila Tagore and Rahul Bose. She played the role of Brinda Roy Menon, a TV journalist, in Antaheen. Riddhima Seal, writing for The Times of India, called Apte a "revelation", further adding "With eyes that speak a thousand words, her passion for work and the loneliness of her heart as she waits to chat every night with that special stranger just strikes the right chord".
In 2009, Apte had her first Marathi release, KBC productions' Gho Mala Asla Hava by Sumitra Bhave and Sunil Sukthankar in which she appeared as Savitri, a village girl. She later collaborated with Bhave and Sukthankar again on the Hindi docufiction Mor Dekhne Jungle Mein. That year, she had also worked on Jatin Wagle's Ek Marathi Manoos, Akash Khurana's Life Online, about "a bunch of youngsters working in a BPO" and Amol Palekar's Marathi film, Samaantar. In 2010, she was seen in Maneej Premnath's thriller The Waiting Room and later appeared in a significant role in Ram Gopal Varma's Rakta Charitra and its sequel. On returning from London, Apte was offered a role in a large block buster production hindi film, but was (in her words) kicked out of it, because they felt she was too fat to be in that film.
Breakthrough and rise to prominence (2011–present)
In 2011, Apte appeared in the anthology film I Am and in Shor in the City under Ekta Kapoor's Balaji Films banner. She worked for the third time with the Bhave-Sukthankar duo on Ha Bharat Majha (2012), a film inspired by Anna Hazare's movement that was shot in 14 days and screened at various film festivals. Her two other 2012 releases were Tukaram in Marathi and Dhoni, her maiden Tamil film. For her performance in the latter she was nominated for SIIMA Award for Best Actress in a Supporting Role.
In 2013, she was seen in the Bengali film Rupkatha Noy. About her character she said, "I play Sananda, an IT engineer, who is a single mother of a three-year-old child. Sananda had a dreadful past, which keeps haunting her". Apte's first four 2014 releases were Postcard, Pendulum, Legend and Vetri Selvan in four different languages—Marathi, Bengali, Telugu and Tamil, respectively—after which another Marathi film of hers, Lai Bhaari, released. Pendulum, which was described by Apte as a "story on magic realism which takes you through multiple layers of parallel realities, or apparent realities", had her playing a working woman in relationship with a younger man, while in Vetri Selvan she had played the role of a lawyer. Legend and Lai Bhaari were commercial success, the latter breaking the opening weekend box office record and becoming the highest grossing Marathi film of all time.
In 2015, Apte gained wider recognition for her roles in six feature films released in the first eight months. In the year's first release, Sriram Raghavan's Badlapur, she had a minor supporting role, for which she shot for six days. Despite appearing only briefly in the latter part of the film, she was widely recognized and appreciated for her performance, with several critics stating that she stood out in the ensemble cast. Rediff's Raja Sen, in particular, wrote that she was "sensational" and featured in "possibly the film's finest" moment. Following a Malayalam release, Haram, her first in the language, and a Telugu release, Lion, she had her next Hindi release, the sex comedy Hunterrr directed by Harshvardhan Kulkarni. Although the film opened to mixed reviews, Apte again earned praise for her performance. While Shubha Shetty-Saha from mid-day.com described her as "excellent in an absolutely realistic role", Filmfare's Rachit Gupta wrote, "While you're at it, hand one (award) to Radhika Apte...She really comes into her own, in a character that's unconventional and full of surprises". With Badlapur and Hunterrr both achieving commercial success and winning Apte critical acclaim, she grew in popularity, breaking into the mainstream Bollywood scene, with the media dubbing her the "latest sensation of Bollywood", Bollywood's new "go-to girl" and the "new constant in Indian cinema". HuffPost India wrote, "Radhika Apte is on her way to stardom, whether she likes it or not". In late August, two more Hindi films of her, Ketan Mehta's critically acclaimed biogeographical film Manjhi - The Mountain Man, based on Dashrath Manjhi, featuring Apte as Manjhi's wife Falguni Devi, and Kaun Kitne Paani Mein, a satire on water scarcity featuring Apte as an agriculture graduate, released a week apart. Her next film was the Tamil gangster-drama Kabali, in which she was featured as the wife of Rajinikanth. Upon the release, her performance received positive feedback from critic, and the film proved to be a major commercial success as well.
In 2018, Apte co-starred with Akshay Kumar and Sonam Kapoor in R. Balki's comedy-drama Pad Man, based on a short story in Twinkle Khanna's book The Legend of Lakshmi Prasad. It is inspired by the life of Arunachalam Muruganantham from Tamilnadu, who campaigned for menstrual hygiene in rural india. Apte's role was that of a shy homemaker whose husband (Kumar) invents low-cost sanitary napkins. Saibal Chatterjee of NDTV wrote, "Radhika Apte is, as always, a scene-stealer. She contributes majorly to ensuring that the exchanges between the protagonist and his wife do not veer into corniness."
Among Apte's upcoming films are three Hindi language projects, The Field, the feature debut of Rohit Karn Batra, Leena Yadav's Parched, a U.S.-Indian co-production, and Bombairiya, an Indo - British production and a Tamil projects Ula.
Apte met Benedict Taylor in 2011 in London during her year-long sabbatical when she had gone to learn contemporary dance. Director Sarang Sathaye, a friend of Radhika, informed in October 2012 that the two had been living together for a long time and that a registered marriage took place a month before the official ceremony was said to be held in March 2013.
She had higher qualification on neural mathematics and got her Phd on human neural contradiction
Apte has spoken out against sexual harassment in the Indian film industry. She supported the #MeToo campaign in India, stating that she was hopeful that it could create change if enough major industry figures were to participate.